This Floating Poo Was Far Too Meaningful! These Are the Television Letdowns of the Year.

As we reflect on the TV offerings of the past year, a selection of series emerge not for their brilliance, but for their spectacular failures. From cringe-inducing spin-offs to confusingly bad documentaries, here are the programmes that left us scratching our heads or simply reaching for the remote.

The 'Sex and the City' Sequel

How to start with this divisive spin-off? Burdened with dreadful scripts, cringe-inducing character development (we demand better for Miranda!), and a paltry 71 seconds of beloved Samantha, the series fought to find its footing. For a moment, as the final series began, it seemed as if it had finally hit its stride. Then arrived an episode centered on Seema’s natural deodorant. Little surprise the creator declared this would be the last series. It concluded on a low point; the lingering shot of Miranda’s loo full of poo was simply too symbolic. Still, fans certainly found joy dissecting every single “what on earth?” episode. And as Carrie – a single woman once more – danced around her sprawling townhouse to Barry White, who didn’t release a small sob?

All’s Fair

‘Can Kim Kardashian act? Of course she can’t.’

But that was practically the smallest of this drama's issues. The subject of a exceedingly uncommon zero star assessment, it was hard to know where to begin listing the problems. The hilariously leaden writing? The mind-numbing glorification of affluence and materialism? The almost deliberate parade of tropes? Acting so bad they felt borderline spiteful? Let’s just say “each and every one” and never speak of this show again. Except, a second season has been ordered, so we’re probably going to have to.

AKA Charlie Sheen

Considering the restraining orders, domestic violence allegations and parental shortcomings, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d truly have gleaned it from this multi-part docuseries which smirked its way at Sheen’s various bouts of reckless excess while failing to tell us anything we didn’t already know. Instead, it felt as if this volatile personality was being pandered to, so any pity this series might evoke should be saved for the people who have had to suffer close contact with this charming but dismissive narcissist.

The Iris Affair

Naturally we knew it was ridiculous from the outset: a drama about a AI known as Charlie Big Potatoes that could either solve global crises – or destroy all of humanity. We persevered out of sheer admiration for its leads … but by the end, it felt like even they had stopped bothering. One barely reacted when his character died, and the other ended up slicing Charlie with an axe … in painfully slow-motion. That's what you call admitting defeat.

MobLand

Dodgy figures convening in deserted boxing gyms? A certain band's Firestarter jackhammering away in club scenes? The late 90s called and demands its crime drama back.

In truth, that is unfair on the crime shows of the late 90s. Many look a bit old-fashioned now, but at least they didn’t suffer the ignominy of having to accommodate baffling dialects. But there were many other issues. Mainly that it was just profoundly boring; a conflict over narcotics territory between various London picaresques which felt rather simplistic.

The Meghan Markle Series

Considering the degree to which she grinds the gears of the nation’s performatively angry commentators, it’s temptingly tempting to admire the Duchess of Sussex’s various ventures into quaint lifestyle as deliberate provocations. But then you watch them and are forced to concede that in this case, they may have a point. It’s like watching a homeware catalogue come to life; a poster for evening drinks with delusions of grandeur; a procession of snoozing dogs, buzzing beehives, sentimental platitudes and pointless crafting “hacks” you’ll not remember instantly. All supported by vast, largely undeserved wealth. Ugh.

Victoria Beckham

There are obviously fascinating things to be said about regarding Victoria Beckham and her struggles with career, identity, self-acceptance. But for some reason, this three-part series chose not to say them. Instead, the viewing was like consuming a sales brochure. She clearly has every right to resent what she describes as her “miserable cow” image. But unfortunately, she failed to do herself any helps with this cagey letdown of a series.

The Game Show

It had the potential to be the next cultural phenomenon – except even camper, with a famous star as a deceased benefactor and a well-known personality managing her inheritance. What more could you ask for? As players competed, there was plenty of betrayal and arguing. But the rules quickly became incomprehensible: it’s even now too confusing to explain what precisely was happening. Even more disappointingly, we only saw glimpses of the star via prerecorded videos. The series ended up smelling of a production that was straining desperately to live up to something way beyond it.

The Lena Dunham Romcom

How does one follow a show that captured a generation? The pressure was immense for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who lands in London with a shattered romance. The lead actress seized the opportunity by the horns and was joyous to watch, reveling in Austen levels of romantic ideals. But it was all very slick and, ironically, was insufficient. Plus, the sheer amount of famous friends involved felt uncomfortable.

The Sketch Show Return

Not even good enough to be ‘uneven’.

Given the shrewd inclusion of talented emerging comics, expectations were high. But unhappily, most of it didn’t land. A particular sketch was a single joke milked to a dry pulp but repeated in every episode. One star seemed too ready to slip into a well-known irate mode. The behind-the-scenes sketches, in contrast, simply inspired the thought that they should probably have stayed in there a while longer.

The Twisted Tale of Amanda Knox

This dramatisation of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely showcased the perspective of Amanda Knox. So, while there probably is an interesting drama to be made about the tragic 2007 murder, this was not it. The material needed to be handled sensitively. Rather, the series struggled painfully to find the right voice, lumbering from strangely breezy, somewhat mannered farce to ultimately, real-life horror. Complex? Arguably. A complete mess? Absolutely.

The Maths Genius Thriller

We love the lead actor … but did we believe him playing the greatest maths genius in history, a man so smart he’s on the verge of a breakthrough that could ruin society? Nope! This globe-trotting thriller about government agencies targeting – and killing off – intellectuals frankly got more farcical by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This hagiography followed the online personality renowned for explicit escapades as she undertook her most extreme feat yet. What on earth would motivate her? What we craved was way more interrogation of her actual psychology, plus those of the men in the line. They could at least have spoken to the legendary mum who appeared to haul her son away from the queue. What we got was horrific shots and zero interrogation of her infamy whatsoever. It's staggering to consider, the filmmaker has a young daughter too.

Daniel Holt
Daniel Holt

An avid angler and outdoor writer with over 15 years of experience testing fishing gear across diverse environments.